About every six months or so, it happens: The menehune in my
studio take over, move stuff around and I seemingly can’t find anything. Truth
be told, I’m a “piler.” I have piles of papers, piles of computer parts, piles
of notes and even piles of piles. Finally, I get tired of combing through the
mass, and reorganization ensues. Typically, that’s when discovery happens.
Cleaning and putting things away this round, I moved an old
computer that was bound for e-cycling, exposing the bottom drawer of one of our
file cabinets. I pulled it open and discovered a treasure trove of what the
late George Carlin would consider “stuff.” I pulled out mass of wires and a
remote that went to a long-lost stereo, several 5-1/4” floppy discs, a Pink Pet
eraser, my college graduation tassel and a small plain brown battered box.
Inside was the treasure of my childhood.
I had completely forgotten about the box, which I had tucked
away over a decade ago. Carlin might have labeled its contents as junk rather
than stuff, but everything inside was linked to a specific moment in my life,
and was kept to spark memories back to life.
There was a chunk of concrete from the fabled Riverside
International Raceway’s Turn 9 wall, which after all these years, still reeked
of motor oil and race gas. In the early ‘80s, my father was an active
participant in time trials, and many a weekend was spent at Riverside, Ontario
Motor Speedway and Willow Springs Raceway. At the time of RIR’s demise, he
still held the track record for a DeTomaso Pantera with the stock brake system.
I remember riding shotgun for that lap. And yes, it was scary fast!
Other mementos were removed and set aside, but the last three
items were definitely the best: a set of GE Magicubes flash cubes for my Kodak
Instamatic X45 – my first camera -- and a t-shirt from the Windsock Lounge at
the Kaanapali Air Strip. It was on my first trip to the Valley Isle that I
received that camera from my grandfather.
We had flown in from Honolulu to the old Kaanapali air
strip, which had literally been carved out of the middle of a sugar cane field.
The plane was a small, eight-passenger, twin-engine, Cessna 402, operated by
Royal Hawaiian Airlines. The pilot let me sit on the co-pilot’s seat for the
flight, and I remember being mesmerized by all the dials and controls, the drone
of the turbocharged Continental engines and the pilot’s light touch on the
controls as the plane bobbed through the sky.
As we flew over Molokai, the pilot asked if I’d like to see
a waterfall. I said yes, and a few moments later, he dipped the right wing in a
steep bank as we angled towards Papalaua Falls. The plane instantly filled with
smiles, from the awesome view and the “yee-haw” moment, neither of which you’d
ever get on any commercial flight.
Landing on the asphalt patch in the middle of the sugar cane
field, we entered the terminal (which was rather small, even for rural
standards) and climbed the spiral staircase to the Windsock Lounge which
overlooked the runway. I sat with my grandfather for a while, watching the
Cessnas take off and land while sipping a Coke, my grandfather nursing a Coors.
I got my camera shortly thereafter – a Kodak Instamatic X45
that took 126 film cartridges. That brings me to the third item, a picture I
took with that camera. It was faded and grainy, but it was one of the falls on
the road to Hana. The memory brought back the pain in my back from riding on
that old bumpy road, sitting in the back seat of their yellow Pinto station
wagon.
I may not have that original camera anymore, but I do have
the memories and a few mementos, and there’s a camera in my hand nearly every
day. I guess I’m still living the days of my youth.
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